Wallace2015
Wallace, James. Marlowe and McKellen on screen: The Prospect Theatre Company Production of Edward II 1969–70. Shakespeare Bulletin, vol. 33, no. 4, 2015, pp. 595–608.
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Autor: Wallace, James
Titel: Marlowe and McKellen on screen: The Prospect Theatre Company Production of Edward II 1969–70
Art der Schrift: Zeitschriftenaufsatz
Zeitschrift: Shakespeare Bulletin
Jahr: 2015
Band: 33
Nummer: 4
Seiten: 595-608
Wallace, James. Marlowe and McKellen on screen: The Prospect Theatre Company Production of Edward II 1969–70. Shakespeare Bulletin, vol. 33, no. 4, 2015, pp. 595–608.
Autor: Wall-Randell, Sarah
Titel: Doctor Faustus and the Printers Devil
Art der Schrift: Zeitschriftenaufsatz
Zeitschrift: Studies in English Literature 1500-1900
Jahr: 2008
Band: 48
Nummer: 2
Seiten: 259-281
Wall-Randell, Sarah. Doctor Faustus and the Printers Devil. Studies in English Literature 1500-1900, vol. 48, no. 2, 2008, pp. 259–81.
Autor: Wall-Randell, Sarah
Titel: Leander's Index: Reading Desire in Marlowe's Hero and Leander
Art der Schrift: Zeitschriftenaufsatz
Zeitschrift: Marlowe Studies
Jahr: 2013
Band: 3
Seiten: 3-21
Wall-Randell, Sarah. Leander’s Index: Reading Desire in Marlowe’s Hero and Leander. Marlowe Studies, vol. 3, 2013, pp. 3–21.
Autor: Wall-Randell, Sarah
Titel: Marlowe's Lucan: Winding-sheets and Scattered Leaves
Werk: Christopher Marlowe, theatrical commerce, and the book trade
Herausgeber: Melnikoff, Kirk; Knutson, Roslyn Lander
Art der Schrift: Beitrag
Jahr: 2018
Seiten: 11-25
Ort: Cambridge
Verlag: Cambridge University Press
Wall-Randell, Sarah. Marlowe’s Lucan: Winding-sheets and Scattered Leaves. Christopher Marlowe, theatrical commerce, and the book trade, edited by Kirk Melnikoff and Roslyn Lander Knutson, Cambridge University Press, 2018, pp. 11–25.
Autor: Wall-Randell, Sarah
Titel: The State of the Art: The Critical Landscape, 2000-Present
Werk: Tamburlaine: A Critical Reader
Herausgeber: McInnis, David
Art der Schrift: Beitrag
Jahr: 2020
Seiten: 67–84
Ort: London
Verlag: The Arden Shakespeare
Wall-Randell, Sarah. The State of the Art: The Critical Landscape, 2000-Present. Tamburlaine: A Critical Reader, edited by David McInnis, The Arden Shakespeare, 2020, pp. 67–84.
Autor: Walls, Kathryn
Titel: 'See, See, Where Christ's Blood Streams In The Firmament': Marlowe's Recollection Of A Corpus Christi Doomsday Pageant
Art der Schrift: Zeitschriftenaufsatz
Zeitschrift: Notes and Queries
Jahr: 2021
Band: 68
Nummer: 1
Seiten: 84-87
Walls, Kathryn. 'See, See, Where Christ’s Blood Streams In The Firmament': Marlowe’s Recollection Of A Corpus Christi Doomsday Pageant. Notes and Queries, vol. 68, no. 1, 2021, pp. 84–87.
Autor: Walsh, Maureen P.
Titel: Demigod, Devil, or Man: A Reconsideration of the Character of Faustus
Art der Schrift: Zeitschriftenaufsatz
Zeitschrift: The Nassau Review
Jahr: 1970
Band: 2
Nummer: 1
Seiten: 54-65
Walsh, Maureen P. Demigod, Devil, or Man: A Reconsideration of the Character of Faustus. The Nassau Review, vol. 2, no. 1, 1970, pp. 54–65.
Autor: Walsh, William P.
Titel: Sexual Discovery and Renaissance Morality in Marlowe's "Hero and Leander"
Art der Schrift: Zeitschriftenaufsatz
Zeitschrift: Studies in English Literature 1500-1900
Jahr: 1972
Band: 12
Nummer: 1
Seiten: 33-54
Walsh, William P. Sexual Discovery and Renaissance Morality in Marlowe’s "Hero and Leander." Studies in English Literature 1500-1900, vol. 12, no. 1, 1972, pp. 33–54.
Autor: Walsh, Philip B.
Titel: Christopher Marlowe and the anti-Catholic climate of Elizabethan England
Art der Schrift: Hochschulschrift
Jahr: 1977
Ort: Ottawa
Walsh, Philip B. Christopher Marlowe and the anti-Catholic climate of Elizabethan England. Dissertation, University of Ottawa, 1977.
Autor: Walsh, Brian
Titel: Marlowe and the Elizabethan theatre audience
Werk: Christopher Marlowe in Context
Herausgeber: Bartels, Emily Carroll; Smith, Emma
Art der Schrift: Beitrag
Jahr: 2013
Seiten: 68-79
Ort: Cambridge
Verlag: Cambridge University Press
Walsh, Brian. Marlowe and the Elizabethan theatre audience. Christopher Marlowe in Context, edited by Emily Carroll Bartels and Emma Smith, Cambridge University Press, 2013, pp. 68–79.