Autor: Rutter, Tom

Titel: Allusions to Marlowe in Printed Plays, 1594

Werk: Christopher Marlowe, theatrical commerce, and the book trade

Herausgeber: Melnikoff, Kirk; Knutson, Roslyn Lander

Art der Schrift: Beitrag

Jahr: 2018

Seiten: 199-213

Ort: Cambridge

Verlag: Cambridge University Press

Rutter2018

Rutter, Tom. Allusions to Marlowe in Printed Plays, 1594. Christopher Marlowe, theatrical commerce, and the book trade, edited by Kirk Melnikoff and Roslyn Lander Knutson, Cambridge University Press, 2018, pp. 199–213.

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Autor: Rutter, Tom

Titel: Tamburlaine the Weather Man

Werk: Tamburlaine: A Critical Reader

Herausgeber: McInnis, David

Art der Schrift: Beitrag

Jahr: 2020

Seiten: 107–128

Ort: London

Verlag: The Arden Shakespeare

DOI: http://dx.doi.org/10.5040/9781350082748.ch-005

Rutter2020

Rutter, Tom. Tamburlaine the Weather Man. Tamburlaine: A Critical Reader, edited by David McInnis, The Arden Shakespeare, 2020, pp. 107–28.

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Autor: Ryner, Bradley D.

Titel: The Usurer's Theatrical Body: Refiguring Profit in The Jew of Malta and The Blind Beggar of Alexandria

Werk: Early Modern Drama in Performance: Essays in Honor of Lois Potter

Herausgeber: Farabee, Darlene

Art der Schrift: Beitrag

Jahr: 2015

Seiten: 25-34

Ort: Newark

Verlag: University of Delaware Press

Ryner2015

Ryner, Bradley D. The Usurer’s Theatrical Body: Refiguring Profit in The Jew of Malta and The Blind Beggar of Alexandria. Early Modern Drama in Performance: Essays in Honor of Lois Potter, edited by Darlene Farabee, University of Delaware Press, 2015, pp. 25–34.

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Autor: Ryner, Bradley D.

Titel: Drama and Commodity Culture in Marlowe's "Doctor Faustus"

Werk: Gathering Force:: Early Modern British Literature in Transition, 1557-1623

Herausgeber: Poole, Kristen; Shohet, Lauren

Art der Schrift: Beitrag

Jahr: 2019

Seiten: 235-250

Ort: Cambridge

Verlag: Cambridge University Press

DOI: http://dx.doi.org/10.1017/9781108303774.014

Ryner2019

Ryner, Bradley D. Drama and Commodity Culture in Marlowe’s "Doctor Faustus." Gathering Force:: Early Modern British Literature in Transition, 1557-1623, edited by Kristen Poole and Lauren Shohet, Cambridge University Press, 2019, pp. 235–50.

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Autor: Sales, Roger

Titel: The Stage, the Scaffold and the Spectators: The Struggle for Power in Marlowe's Jew of Malta

Werk: Christopher Marlowe and English Renaissance Culture

Herausgeber: Grantley, Darryll; Roberts, Peter

Art der Schrift: Beitrag

Jahr: 1996

Seiten: 119-128

Ort: Aldershot

Verlag: Scolar Press

Sales1996

Sales, Roger. The Stage, the Scaffold and the Spectators: The Struggle for Power in Marlowe’s Jew of Malta. Christopher Marlowe and English Renaissance Culture, edited by Darryll Grantley and Peter Roberts, Scolar Press, 1996, pp. 119–28.

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Autor: Schindler, Kilian

Titel: Devils on Stage: Dramatic Representations of the Supernatural in Doctor Faustus

Werk: What is an Image in Medieval and Early Modern England?

Herausgeber: Zlatar, Antoinina Bevan; Timofeeva, Olga

Art der Schrift: Beitrag

Reihe: Swiss Papers in English Language and Literature

Jahr: 2017

Band: 34

Seiten: 117-142

Ort: Tübingen

Verlag: Narr

Schindler2017

Schindler, Kilian. Devils on Stage: Dramatic Representations of the Supernatural in Doctor Faustus. What is an Image in Medieval and Early Modern England?, edited by Antoinina Bevan Zlatar and Olga Timofeeva, Narr, 2017, pp. 117–42. Swiss Papers in English Language and Literature 34.

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Autor: Schnauder, Ludwig

Titel: "The villainy you teach me I will execute…": Peter Zadek's Productions of Shakespeare's The Merchant of Venice and Marlowe's The Jew of Malta at Vienna's Burgtheater

Werk: Anglo-German Theatrical Exchange: A sea-change into something rich and strange?

Herausgeber: Weiss, Rudolf; Schnauder, Ludwig; Fuchs, Dieter; Bachleitner, Norbert

Art der Schrift: Beitrag

Reihe: Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft

Jahr: 2015

Band: 181

Seiten: 305-336

Ort: Leiden

Verlag: Brill

DOI: http://dx.doi.org/10.1163/9789004292307_015

Schnauder2015

Schnauder, Ludwig. "The villainy you teach me I will execute…": Peter Zadek’s Productions of Shakespeare’s The Merchant of Venice and Marlowe’s The Jew of Malta at Vienna’s Burgtheater. Anglo-German Theatrical Exchange: A sea-change into something rich and strange?, edited by Rudolf Weiss et al., Brill, 2015, pp. 305–36. Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft 181.

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Autor: Schwarz, Kathryn

Titel: Marlowe and the question of will

Werk: Christopher Marlowe in Context

Herausgeber: Bartels, Emily Carroll; Smith, Emma

Art der Schrift: Beitrag

Jahr: 2013

Seiten: 192-201

Ort: Cambridge

Verlag: Cambridge University Press

DOI: http://dx.doi.org/10.1017/cbo9781139060882.021

Schwarz2013

Schwarz, Kathryn. Marlowe and the question of will. Christopher Marlowe in Context, edited by Emily Carroll Bartels and Emma Smith, Cambridge University Press, 2013, pp. 192–201.

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Autor: Scott, Carolyn

Titel: Consuming Sorrow: Conversion and Consuption in Tamburlaine: Part One

Werk: Christopher Marlowe the Craftsman: Lives, Stage and Page

Herausgeber: Scott, Sarah K.; Stapleton, Michael L.

Art der Schrift: Beitrag

Jahr: 2010

Seiten: 199-212

Ort: Farnham

Verlag: Ashgate

Scott2010

Scott, Carolyn. Consuming Sorrow: Conversion and Consuption in Tamburlaine: Part One. Christopher Marlowe the Craftsman: Lives, Stage and Page, edited by Sarah K. Scott and Michael L. Stapleton, Ashgate, 2010, pp. 199–212.

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Autor: Scott, Sarah K.

Titel: The Jew of Malta and the Development of City Comedy: "The Mean Passage of a History"

Werk: Christopher Marlowe the Craftsman: Lives, Stage and Page

Herausgeber: Scott, Sarah K.; Stapleton, Michael L.

Art der Schrift: Beitrag

Jahr: 2010

Seiten: 91-108

Ort: Farnham

Verlag: Ashgate

Scott2010b

Scott, Sarah K. The Jew of Malta and the Development of City Comedy: "The Mean Passage of a History." Christopher Marlowe the Craftsman: Lives, Stage and Page, edited by Sarah K. Scott and Michael L. Stapleton, Ashgate, 2010, pp. 91–108.

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