Deats1992
Deats, Sara Munson, and Lisa S. Starks. "So neatly plotted, and so well perform’d": Villain as Playwright in Marlowe’s "The Jew of Malta." Theatre Journal, vol. 44, no. 3, 1992, pp. 375–86.
Autor: Deats, Sara Munson; Starks, Lisa S.
Titel: "So neatly plotted, and so well perform'd": Villain as Playwright in Marlowe's "The Jew of Malta"
Art der Schrift: Zeitschriftenaufsatz
Zeitschrift: Theatre Journal
Jahr: 1992
Band: 44
Nummer: 3
Seiten: 375-386
Deats, Sara Munson, and Lisa S. Starks. "So neatly plotted, and so well perform’d": Villain as Playwright in Marlowe’s "The Jew of Malta." Theatre Journal, vol. 44, no. 3, 1992, pp. 375–86.
Autor: Deats, Sara Munson
Titel: The Performance History
Werk: The Jew of Malta: A Critical Reader
Herausgeber: Logan, Robert A.
Art der Schrift: Beitrag
Jahr: 2013
Seiten: 27–52
Ort: London
Verlag: Bloomsbury
Deats, Sara Munson. The Performance History. The Jew of Malta: A Critical Reader, edited by Robert A. Logan, Bloomsbury, 2013, pp. 27–52.
Autor: Dessen, Alan C.
Titel: The Elizabethan Stage Jew and Christian Example: Gerontus, Barabas, and Shylock
Art der Schrift: Zeitschriftenaufsatz
Zeitschrift: Modern Language Quarterly
Jahr: 1974
Band: 35
Nummer: 3
Seiten: 231-245
Dessen, Alan C. The Elizabethan Stage Jew and Christian Example: Gerontus, Barabas, and Shylock. Modern Language Quarterly, vol. 35, no. 3, 1974, pp. 231–45.
Autor: Diehl, Huston
Titel: Inversion, Parody, and Irony: The Visual Rhetoric of Renaissance English Tragedy
Art der Schrift: Zeitschriftenaufsatz
Zeitschrift: Studies in English Literature 1500-1900
Jahr: 1982
Band: 22
Nummer: 2
Seiten: 197-209
Diehl, Huston. Inversion, Parody, and Irony: The Visual Rhetoric of Renaissance English Tragedy. Studies in English Literature 1500-1900, vol. 22, no. 2, 1982, pp. 197–209.
Autor: Distiller, Natasha
Titel: "What signifies my deadly-standing eye": The Politics of Difference on the Elizabethan Stage
Art der Schrift: Zeitschriftenaufsatz
Zeitschrift: Shakespeare in Southern Africa
Jahr: 2002
Band: 14
Seiten: 11-14
Distiller, Natasha. "What signifies my deadly-standing eye": The Politics of Difference on the Elizabethan Stage. Shakespeare in Southern Africa, vol. 14, 2002, pp. 11–14.
Autor: Dutton, Richard
Titel: Thomas Heywood and the Publishing of The Jew of Malta
Werk: Christopher Marlowe, theatrical commerce, and the book trade
Herausgeber: Melnikoff, Kirk; Knutson, Roslyn Lander
Art der Schrift: Beitrag
Jahr: 2018
Seiten: 182-194
Ort: Cambridge
Verlag: Cambridge University Press
Dutton, Richard. Thomas Heywood and the Publishing of The Jew of Malta. Christopher Marlowe, theatrical commerce, and the book trade, edited by Kirk Melnikoff and Roslyn Lander Knutson, Cambridge University Press, 2018, pp. 182–94.
Autor: Duxfield, Andrew
Titel: The State of the Art: Current Critical Research
Werk: The Jew of Malta: A Critical Reader
Herausgeber: Logan, Robert A.
Art der Schrift: Beitrag
Jahr: 2013
Seiten: 53–78
Ort: London
Verlag: Bloomsbury
Duxfield, Andrew. The State of the Art: Current Critical Research. The Jew of Malta: A Critical Reader, edited by Robert A. Logan, Bloomsbury, 2013, pp. 53–78.
Autor: Duxfield, Andrew
Titel: The Uses of Unity: Individual and Multitude in The Jew of Malta
Art der Schrift: Zeitschriftenaufsatz
Zeitschrift: Marlowe Studies
Jahr: 2013
Band: 3
Seiten: 63-81
Duxfield, Andrew. The Uses of Unity: Individual and Multitude in The Jew of Malta. Marlowe Studies, vol. 3, 2013, pp. 63–81.
Autor: Duxfield, Andrew
Titel: Christopher Marlowe and the Failure to Unify
Art der Schrift: Monografie
Reihe: Studies in Performance and Early Modern Drama
Jahr: 2015
Ort: Farnam
Verlag: Ashgate
Duxfield, Andrew, 2161. Christopher Marlowe and the Failure to Unify, Ashgate, 2015. Studies in Performance and Early Modern Drama.
Autor: Elaskary, Mohamed
Titel: Jews and Muslims in Marlowe's The Jew of Malta and Shakespeare's Othello
Art der Schrift: Zeitschriftenaufsatz
Zeitschrift: Arabic Language & Literature
Jahr: 2014
Band: 18
Nummer: 2
Seiten: 131-159
Elaskary, Mohamed. Jews and Muslims in Marlowe’s The Jew of Malta and Shakespeare’s Othello. Arabic Language & Literature, vol. 18, no. 2, 2014, pp. 131–59.